Dragonfly – Paul Andrew Williams Uses Minimal Means to Deliver a Darkly Human Two-Hander
In a year when many festival competition titles use scale and stylistic ambition as calling cards, Paul Andrew Williams’s Dragonfly stands out precisely because of its restraint. Developed during the pandemic and written specifically for a small cast and single location, the film (cert tba, 1h40) is a reminder that intimate dramatic filmmaking still has […]
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