British Film & TV

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Q&A: Making Don’t Worry About Me

One of the most touching short films I’ve ever seen. A masterpiece of short story telling. Excellent performances from the main leads and Best Actor Manchester Film Festival for William Fox Don’t Worry About Me is a character-driven short film exploring the shared pressures faced by both victims of crime and the police officers tasked

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From Short Films to Competition Premiere: Edward Palmer and the Making of Visceral Images

Eight years after his debut feature Hippopotamus premiered at the Manchester Film Festival, Edward Palmer returns with a psychological thriller that signals a filmmaker hitting his stride, and a team worth watching. Palmer used the eight years between features deliberately. A series of shorts served as a directed apprenticeship: one built around an all-female cast

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‘Dogpool’ Star Peggy the Hairless Pug Signs with UK Talent Agency Urban Paws

Urban Paws Agency, the UK’s leading animal talent agency, is delighted to announce the exclusive signing of Peggy the Hairless Pug, better known to global audiences as “Dogpool” in Marvel’s Deadpool & Wolverine. With her Hollywood debut alongside Ryan Reynolds and Hugh Jackman, Peggy quickly became a viral sensation thanks to her distinctive appearance, comedic charm, and

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MANCHESTER FILM FESTIVAL CELEBRATES ITS MOST SUCCESSFUL EDITION IN 12 YEARS

The twelfth edition of the Manchester Film Festival took place 19-29 March at high profile cultural city centre venues, with the annual awards ceremony taking place on Saturday 28 March that celebrated some of the finest emerging talent in the world of cinema.  LIFEHACK, directed by Ronan Corrigan, took home the prestigious Golden Bee, while LITTERMATES, directed

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Independent Filmmaking Without the Safety Net: How I’ve Seen All I Need to See Got Made

In an industry where independent film is simultaneously more accessible and harder to sustain than ever, writer-director Zeshaan Younus represents an unusual case study. His second feature, I’ve Seen All I Need to See, premiered at the Glasgow Film Festival 2026, and it got there not through conventional industry channels, but through a model built

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Markets Without Certainty: Inside the New Reality of Film Sales

Sales agents on why fewer films break through, how buyers are thinking post-COVID, and what producers still get wrong when pitching. Part of the Glasgow Film Festival’s Made in Glasgow programme—a full day of panels and events featuring representatives from leading studios and creatives—the discussion formed part of Meet the Sales Agents, an in-depth session

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