British Film & TV

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UNIFIED to Curate Exclusive Industry Events at Edinburgh International Film Festival 2025

The Edinburgh International Film Festival (EIFF) 2025 has announced a new collaboration with UK production company UNIFIED, which will curate a special strand of high-profile industry events at this year’s festival. Founded in 2025 by award-winning producers Amy Jackson (Aftersun, The Nest) and Lauren Dark (Beast, Night Always Comes), UNIFIED develops film and television projects

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Odyssey

A cutthroat real estate agent takes a spectacular fall from the corporate ladder when her loan-sharks call in their debts. Icon Film Distribution presents Odyssey, the new feature from acclaimed director, Gerard Johnson, known for previous adrenaline-fuelled thrillers Tony, Hyena and Muscle. This month, the film has its UK Premiere at Edinburgh International Film Festival before releasing in UK cinemas from 7th November. Fiery,

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Groundbreaking Sustainability Standards Set New Benchmark for UK Film & TV Industry

In a landmark move for the UK’s screen industries, the BFI, BAFTA albert, and ScreenSkills have jointly launched the country’s first National Occupational Standards (NOS) and skills checklists for sustainability roles in film and television production. The initiative represents a critical step in formalising and expanding the industry’s environmental workforce and tools—paving the way for

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Sky Doubles Down on Family Fun: Shaun the Sheep, My Friend Maisy & the Future of Kids’ Entertainment

Sky is giving families across the UK even more to look forward to, with two exciting new original projects headlining its children’s slate — and a refreshed vision for how young viewers will be entertained in the years to come. Shaun the Sheep: The Beast of Mossy Bottom Set for 2026 Release Beloved by audiences

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What Channel 4’s New Production Plans Mean for UK Independent Filmmakers

In a landmark shift that could reshape the UK production landscape, Channel 4 has officially announced its move into in-house production and unveiled a new Creative Investment Fund, marking a dramatic evolution in its commissioning strategy. This follows the removal of the publisher-broadcaster restriction, which previously prohibited Channel 4 from producing its own content. Now,

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