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Markets Without Certainty: Inside the New Reality of Film Sales

Sales agents on why fewer films break through, how buyers are thinking post-COVID, and what producers still get wrong when pitching. Part of the Glasgow Film Festival’s Made in Glasgow programme—a full day of panels and events featuring representatives from leading studios and creatives—the discussion formed part of Meet the Sales Agents, an in-depth session

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Platform at TIFF Marks a Decade of Discovering Cinema’s Next Voices

Marking the tenth anniversary of TIFF’s competitive section dedicated to bold directorial vision and distinctive storytelling, the Platform programme continues to serve as a launchpad for some of the most compelling cinematic voices, offering audiences early encounters with filmmakers poised to shape the future of cinema. This year’s lineup brings together 10 films from 19

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Venice Production Bridge

The 2025 edition of the Venice Production Bridge (August 28th to September 3rd, 2025), will be held during the 82nd Venice International Film Festival. Continuously adapting to anticipate and respond to industry evolution, the Venice Production Bridge focuses on production and to make available a wide range of services, projects and networking events to producers.

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Venezia 82 Competition Lineup

The 82nd Venice International Film Festival presents a powerful Competition lineup. Political thrillers, intimate dramas, epic adaptations, and visionary works reflect the complexities of our times. Below is the full list of films, with storyline, director, and cast. LE MAGE DU KREMLIN Director: Olivier AssayasMain Cast: Paul Dano, Alicia Vikander, Tom Sturridge, Will Keen, Jeffrey Wright, Jude Law Russia, early

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Mortician : How a One-Person, iPhone-Shot Film Became the Winner of EIFF 2025

In a line-up dominated by prestige projects and polished international productions, one of the most unexpected and widely discussed feature films at this year’s Edinburgh International Film Festival was made with a single iPhone, a planted sound mic and no traditional crew. Mortician by Abdolreza Kahani, premiered in the Competition Features strand and immediately became

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Best Boy: Canadian Low-Budget Feature Brings Darkly Funny Gem to EIFF Competition

One of the most quietly interesting titles in this year’s EIFF Competition isn’t the biggest, the loudest or the most visually ambitious. Instead, Jesse Noah Klein’s Best Boy draws attention by showing just how much can be achieved with limited means: and a very sharp script. Developed over four years and shot in just twenty

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Dragonfly – Paul Andrew Williams Uses Minimal Means to Deliver a Darkly Human Two-Hander

In a year when many festival competition titles use scale and stylistic ambition as calling cards, Paul Andrew Williams’s Dragonfly stands out precisely because of its restraint. Developed during the pandemic and written specifically for a small cast and single location, the film (cert tba, 1h40) is a reminder that intimate dramatic filmmaking still has

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