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From Short Films to Competition Premiere: Edward Palmer and the Making of Visceral Images

Eight years after his debut feature Hippopotamus premiered at the Manchester Film Festival, Edward Palmer returns with a psychological thriller that signals a filmmaker hitting his stride, and a team worth watching. Palmer used the eight years between features deliberately. A series of shorts served as a directed apprenticeship: one built around an all-female cast

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MANCHESTER FILM FESTIVAL CELEBRATES ITS MOST SUCCESSFUL EDITION IN 12 YEARS

The twelfth edition of the Manchester Film Festival took place 19-29 March at high profile cultural city centre venues, with the annual awards ceremony taking place on Saturday 28 March that celebrated some of the finest emerging talent in the world of cinema.  LIFEHACK, directed by Ronan Corrigan, took home the prestigious Golden Bee, while LITTERMATES, directed

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Halon CEO Chris Ferriter: Why Glasgow Became the Studio’s First Home Outside the US

Talent, Tax Credits, and culture: Inside Halon’s Strategic Expansion to Scotland Halon CEO Chris Ferriter on building a transatlantic pipeline, why talent drove the decision, and how Glasgow fits into a rapidly changing animation and VFX landscape. Part of the Glasgow Film Festival, the Made in Glasgow programme—a full day of panels and events featuring

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CHAT NOIR! A portal to Paris, 1896 and the world’s first cabaret club

Opening March 2026 at The Lost Estate’s West London home, Chat Noir! is the latest creation from The Lost Estate, the company behind The Great Christmas Feast and 58th Street; celebrated for transforming live performance into fully realised worlds. Here, audiences will be transported to bohemian Montmartre of the 1890s, inside the legendary Le Chat

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Alive: Double Six Productions Present a Dialogue-Free Short Exploring Male Isolation

Alive is a new 12-minute short film written and directed by Marc Nelson and produced by Double Six Productions. The film will premiere on 21 February as part of a private screening event, accompanied by a fundraising initiative in support of Andy’s Man Club. Structured as a dialogue-free narrative, Alive follows a single male protagonist,

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Four People and an iPhone: Abdolreza Kahani on Making Mortician in conversation.

 At the Edinburgh International Film Festival, acclaimed Iranian director Abdolreza Kahani presented his latest film Mortician. Known for pushing boundaries, Kahani shot the project entirely on an iPhone with no additional equipment, relying solely on natural light and a minimal sound setup. Working with only a handful of actors and no crew, he created a

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